故(🌠)事分(🔨)成三個章節(🥇)：(📼)主要的(🐌)章(🍩)節由高(🃏)達親自(zì )飾演導演，正(zhèng )要趕乘(🔧)飛機，在24小時內(nà )(🔬)把(🏴)一(yī )部(bù )電影的菲林交(jiāo )給(👋)監製；同時一(yī )隊二人流行電(⚫)子音樂組合(🎩)，不斷排練歌曲，最後(✳)在路(lù )(🥄)上表演(yǎn )；另一邊廂(xiāng )，愚(🎫)笨的大肥佬(✖)捲(juǎn )(🙁)入(rù )(😻)一宗事件(jiàn )，被(🕕)神秘女人密切監視，最後更被拘捕。三段故(gù )事看(kàn )似(🔢)毫無關連，實際是高達以電(diàn )影(📙)來討(tǎo )論電影製(zhì )作和藝術(shù )創作(zuò )的重要。片名(míng )(🈴)看似帶有(🤷)弦外之(🔔)音，就(🕙)像高達暗(👺)示，假如監製或(huò )其他人要干擾導(dǎo )演(yǎn )的藝術(shù )創作，就(jiù )索性我行我素(sù )，忠(zhōng )於(🦇)自己的道(dào )路好了(⛏)。這(👪)大概亦示範了(le )高達如(📟)何純熟地運用(yòng )電影媒體來做評論(😙)。 A film in three chapters: Godard plays the director in the main chapter, rushing to catch a plane to pass the negatives to his producer within 24 hours; an electronic duo keeps rehearsing for their roadshow; a clumsy fat man gets involved in an incident, and is arrested after being watched by a mysterious woman. Seemingly unrelated events, Godard is discussing the importance of film producer and artistic creativity. Godard is making the statement that if a producer or anyone interferes with creativity, it is better for the artist to go one's own way. A showpiece of how Godard uses the film media as his critical essay.
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