电影(👷)如蝴蝶(⛲)，漂(piāo )(🐽)亮而(ér )短寿(🏽)。千机(🔼)万变抓(zhuā )住美好固(gù )已难能可贵(🍥)，留住永恒之(🥈)美(měi )，庶几无憾。印度气候潮(cháo )热(📿)，多亏人称「奈(nài )(🌗)尔(🏇)先(♑)生」的(de )(🚤)印度电影保育之父，无数(shù )濒临(lín )损毁(🙍)边缘的珍(zhēn )贵作(zuò )品，得以保存修复。由门票收(✖)藏家变身菲(🚑)林(🐶)卫士，不避跋(🤷)涉(shè )直入穷(🚢)乡(xiāng )挽(📎)救烟没的电影(yǐng )，奈尔走(zǒu )(😞)过的(de )路可(kě )有(🦗)十万八千里？(🥔)看(kàn )(💻)着旧片(📙)重 温、(🏂)各(gè )式(shì )制作公司商标的片头蒙太奇，印度电影史彷(🔔)佛(🚻)就(jiù )在经他保留的影框之间无言揭示(shì )。遑论波兰(lán )(🌮)大师赞禄(lù )西、斯里兰卡国宝培里斯等(🐾)锦上添花(huā )的(de )访谈，直构一(yī )场知(zhī )性大丰(🌼)收(shōu )。 Henri Langlois, the French film preservation pioneer, had it easy compared to P. K. Nair. Nair, the founder of the National Film Archive of India, has been instrumental in salvaging his country's cinematic heritage, from early silent films to regional cinema to even popular Hindi movies. He has also been a teacher to a host of filmmakers, including this documentary's director. Heartfelt and illuminating, this is a celebration of cinema and a man who spends his life safeguarding film for future generations.
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