玻璃少女

迷幻少(shǎo )女遇著過(guò )氣(qì )公安(ān )老(🥇)頭，未必是(🍩)貓捉老(lǎo )鼠累鬥累，也可以是從老前輩(bèi )身(shēn )上學會認識(🌰)自己。阿 P 為(wéi )追阿初(chū )欠她(⏬)的債，偶然與阿初(chū )的外公相(🐿)遇(yù )，兩(👑)個生活態(🛍)度南轅(🕯)北轍的人，就(🥄)是這(🚉)樣在荒謬(miù )(🕌)的處(📞)境(jìng )中相互(hù )學習。阿P在當(dāng )(🖍)中看(kàn )見年青(qīng )一(yī )代(🐖)的無(🔊)奈：(⏺)十六歲的迷(mí )途青春、愛(🚨)情(qíng )(🛑)的無助、軟性毒(🦗)品的蠶(cán )食、面對(duì )父(fù )母失敗(bài )的婚姻(yīn )、自己渾(hún )噩(è )的前(👓)途....阿(ā )初無(🍄)故失蹤，又(🧤)是(🔔)否(🚻)因抵受不了同樣(⛳)殘酷的青春(chūn )？(🐀)世情像玻璃(lí )(⚾)，有時看得透，有時不，相同的只是：兩者同(😊)樣冰冷易(🐛)碎。　　The second feature from Hong Kong indie director Carol Lai is about the vulnerability of youth, made even more fragile by the vulnerable world of the adults. Grandpa Wu used to be a policeman in Mainland China and has now retired to a life of seclusion on an outlying island. One day, her daughter calls him up and reports that his granddaughter Ah Cho is again missing. The old man hits the road again, in search of the young girl. Then P, Ah Cho's best friend, emerges out of nowhere and heads Wu's search, leading the old man into a series of strange encounters in the uncharted world of frustrated youth.　　Source 25th HKIFF (2001)……